~The Rumors of Babylon~

Run and tell that, homeboy.

Anonymous asked: honestly curious, why does it offend you?

perfectlyerik:

i see lucy as a racist film that plays on negative stereotypes while hiding behind the cover of (white) feminism. 

all this film has done is switch out the white man for a white woman. it’s still a film about a white person getting violated by the evil poc, then gaining power and wiping them out. 

here’s 2 of my favourite scenes from the trailer: 

image

from top to left to right:

KEEP CLEAN 保持清潔,APPLE 蘋果,ONION 洋蔥,GRAPE 葡萄,CHAIR 椅子,TOMATO 番茄

traditional chinese is an actual written language used by millions of people, not symbols to be thrown around at the whim of set designers because they look cool and idk, serves to create a menacing asian atmosphere. this is so disrespectful, and made even worse by the fact that this film in set it taipei, taiwan where the official written language is traditional chinese.

it doesn’t matter that this film caters to a primarily “white” audience who won’t be able to read it, the language and culture of taiwan isn’t something for you to twist and use as you deem fit because it’s “exotic.” 

image

lucy shoots a guy for not being able to speak english. 

she l i t e r a l l y shoots this taiwanese taxi driver, in taiwan for not being able to speak english. she’s in taipei and she’s shooting people as they are of no use to her because they don’t speak english. 

just think about the sort of message that’s sending out. she’s not being “bad-ass strong female character who takes no shit,” she’s saying that english is useful and better. this is the type of harmful ideology that stretches all the way back from when western countries were colonising and forcing their language and customs on other countries. 

let me explain with a real life example. i was born in new zealand to two taiwanese parents. i am fluent in english, but mandarin is conversational at best. my friends in taiwan say that i am “so lucky” to speak fluent english, when they are fluent in mandarin and their english level is no worse than my mandarin. they tell me that they want to perfect their english but in the same breath tell me that mandarin isn’t worth perfecting because i have english and that’s “enough”. they also tell me how pretty my white friends are when they see pictures.

this is the type of neo imperialism ideology that they’ve grown up buying into. it honestly hurts and frustrates me that they belittle their own culture like this, honestly believing that the western world is superior. this is the type of neo imperialism ideology that this film (hopefully unintentionally) promotes: white people are better and will save the day. 

if they wanted to film a movie about a white women getting back at those who had violated her, why not film it in a western country? if they wanted to film it in taiwan, why not find an asian lead actress?

i do agree that we need more women protagonists in action/superhero movies, but not like this. its not okay that the female lead needs to be kidnapped and have her body cut open without her consent in order to gain her powers, and those said those powers do not make any of this racist bullshit okay. 

i am just so tired and angry of poc always being brushed off to the side as either props or villains in mainstream media. 

as a poc, it’s so frustrating to see that the of the standard of beauty still white women when we live in multi-cultural societies and a diverse world. 

feminism is about equality. a film in which poc are presented as evil and inferior before being killed off by a superior white woman does not promote equality. 

j4ya:

quintessence-of-dust:

Kacy Catanzaro: the first woman in history to qualify for Mt. Midoriyama.

I just need everyone to watch this video [x]. She’s a 5 foot, 100 lb gymnast and she beasts through this insanely difficult, heavily upper body focused course like it was her morning jog. The camera keeps cutting to these massive, musclebound men in the audience with their mouths hanging open. 

The absolute best part of this video is how incredibly supportive the audience and even the commentators are like EVERYONE is rooting for her, no one is looking down on her or doubting that she can finish it just because she’s a woman or because she’s built so small. Everyone is SO happy to see her soar through this and that is absolutely brilliant.

(Source: felicityperhaps, via condesces)

tamorapierce:

doctorscienceknowsfandom:

anatsuno:

navalenigma:

shayvaalski:

friendlycloud:

agewa:

“We went to Kineshma, that’s in Ivanovo region, to visit his parents. I went as a heroine and I never expected someone to welcome me, a front-line girl, like that. We’ve gone through so much, we’ve saved lives, lifes of mothers, wives. And then… I heard accusations, I was bad-mouthed. Before that I’ve only ever been “dear sister”… We had tea and my husband’s mother took him aside and started crying: “Who did you marry? A front-line girl… You have two younger sisters. Who’s going to marry them now?” When I think back to that moment I feel tears welling up. Imagine: I had a record, I loved it a lot. There was a song, it said: you have the right to wear the best shoes. That was about a front-line girl. I had it playing, and [his?] elder sister came up and broke it apart, saying: you have no rights. They destroyed all my photos from the war… We, front-line girls, went through so much during hte war… and then we had another war. Another terrible war. The men left us, they didn’t cover our backs. Not like at the front.” from С.Алексеевич “У войны не женское лицо”

In Soviet Union women participating in WWII were erased from history, remaining as the occasional anecdote of a female sniper or simply as medical staff or, at best, radio specialists. The word “front-line girl” (frontovichka) became a terrible insult, synonimous to “whore”. Hundreds thousand of girls who went to war to protect their homeland with their very lives, who came back injured or disabled, with medals for valor, had to hide it to protect themselves from public scorn. 

This has always happened in history: Women do something important. Then they get shamed for it (so nobody will talk about it) and it gets erased from history.

And then certain men will say: “Women suck, they’ve never done anything important.”

Look into history and learn that women have played a far greater role then douches (present and past) wanted you to know.

Hey Will (and Jack) I got you something.

So this is important. Let me tell you a story.

All the time I spend debating about women in combat, I’ve picked up on a trend that disturbs me. Supporting or attacking, people are quick to draw on biology, psychology, law, but very rarely - almost never - do I hear about the history of women in combat, and the evidence their service lends to this debate.

Hundreds of thousands of women faced combat in WW2, and on both sides, and on all fronts, and it is a history that has been almost completely erased from contemporary awareness. I have been given arguments about how women can not psychologically handle combat. And about how women in mixed-gender combat units will automatically disrupt group cohesion - the brotherhood, if you will. Both of these assertions are erasure.

Women have not lived in a protective bubble untouched by combat for all of history. Women have been killed, wounded, and captured in combat, and tortured after. We are not living a world where these are hypothetical situations women have yet to prove they can handle. Unfortunately, they have, they can, in the future, they probably will, again and again. Soviet women served as partisans, snipers, tank drivers, fighter pilots, bombers. And more.

Both British and American women served in mixed-gender AA units. I could drag you through several examples of British women performing exemplarily despite being wounded, or seeing their comrades die. The Luftwaffe did not discriminate. Between the British and the Americans, it was determined that mixed gender units actually performed much better than all male units, because of teamwork. Because women are better and certain tasks, men are better at certain tasks, and at other tasks they are comparably efficient, and in a team, hopefully, in combat, you let the best do what they are best at. For the most part, they were proud to serve together. 

German propaganda never commented on the British AA units, but they thoroughly smeared the Soviet fighting woman - flitenweiber. People often argue with me that women are a threat to group cohesion because men naturally give women preferential treatment. Which certainly explains why men are more likely to survive shipwrecks. And history shows us that Germans soldiers had no chivalrous compunction when it came to shooting captured Soviet women who were armed.

We’re fed a history of war that almost exclusively features white male figures, most of whom fit into this destructive constructed myth of the soldier that is somehow both chivalrous and charmingly womanizing and who’s sense of brotherhood is unshakably dependent on the band being all man. There is no history of woman at war, none. I hear a lot about how women have no upper body strength, I hear nothing about the Front-Line Female Comrade.

THE WORD FRONTOVICHKA BECAME A TERRIBLE INSULT - are you fucking kidding me? Fuck, that made me cry. At first when I started reading I thought I was reading alernate history fiction. I’m ashamed to be ignorant about this, and full of rage and much worse bitter shame that this history is constantly repressed, suppressed, hidden. WHAT THE FUCK. D: D: D:

I didn’t know that bit about the AA (Anti-Aircraft) units.

And even in this article I don’t see a mention of the women of the Israeli Army, or women of the resistance if we’re just sticking to WWII.  I didn’t know about the Russian soldiers, only the fighter pilots, the night witches, and I’ve spent years poking into the corners of history trying to find women who will serve as ammunition when men tell me women can’t fight. 

The best explanation I’ve heard of what happened to women after WWII comes from “A League of Their Own,” the publicist’s character: “What is this—the war is over, Rosie, turn in your rivets?”  Women all over the world had to step into the same old ruts.

I don’t think it’s any mistake at all that Betty Friedan wrote her ground-breaking text for the second wave of feminism, THE FEMININE MYSTIQUE, just 10 years after WWII, after women had dined on a full plate of the same old, same old.

And shame on the men who never stood up for the women who worked and fought beside them, and saved their lives.

(Source: bukhanka, via themarysue)

themarysue:

karl urban as: cupid
xena: warrior princess (2.16)

For anyone who has yet to watch Xena, may we present this?

(Source: rennerd)